Galo Bondoc Ocampo (1913-85)
is one of the pioneers of Philippine Modernism. Together with Victorio C.
Edades and Carlos V. Francisco, he led the Thirteen Moderns, the first wave of
Philippine modernists, constituted in 1937.
Ocampo launched into
Surrealism following the shock and trauma of World War II. He is known for his
Surrealist landscapes incorporating the Holy Week penitentes of Pampanga,
in which the penitents’ heads are completely hidden under hoods. He returns to this
trope into his closing years, illustrated by “Prayer” (1975).
His work includes stained
glass windows in the Manila Cathedral and in the Santo Domingo Church in Quezon
City. He designed the coat of arms of the Philippines, the seal of the
president, the different coat of arms of various Archbishops of Manila. His “Brown
Madonna” (1938) rendered Mary and the Child Jesus as brown Filipinos.
Ocampo served as the
director of the National Museum of the Philippines from 1962 to 1968.
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